Dragon in an Egg: Pour It, Paint It, Don’t Rush It

This little dragon is one of mine. Eco resin, a mold, and a lot of paint. He is sitting in a cracked blue egg with a white, speckled interior, gold horns and wing, green-blue scales, and that slightly surprised look you get when you have just hatched and the world is too bright.

People always ask if they can do this. Yes. Buy a mold, buy eco resin, buy paint, pour, demold, paint. That is the short version. The honest version is that the pour is the easy afternoon. The part that makes it look finished is everything after that.

What you need

- A dragon-in-egg silicone mold (the kind sold for resin or soap)
- Eco resin or another two-part casting resin meant for figurines (read the label; “eco” still needs gloves and air)
- Mixing cups, stir sticks, a kitchen scale if the resin is mixed by weight
- Gloves, and a window or fan
- Fine sandpaper (around 400–800 grit)
- Acrylic paints: blues, greens, gold, a bit of brown or black for shading
- A small brush set — one tiny detail brush matters more than a fancy kit
- Optional: metallic or iridescent paint, a clear satin or gloss sealer
- Patience you did not budget for

The pour

1. Read the resin instructions once, then again. Mix ratio is not a suggestion.
2. Work on a covered table. Wear gloves.
3. Mix only what the mold needs, plus a little extra. Stir slow so you do not beat in a cloud of bubbles.
4. Pour into the mold in a thin stream. Tap the mold on the table to walk bubbles up.
5. Let it cure the full time on the bottle. Overnight is common. Peeking early is how you fingerprint a half-set dragon.
6. Demold gently. If it fights you, wait longer.

You now have a pale casting. That is not the finished piece. That is the homework.

Clean-up and paint

Sand the seam lines and any rough spots. Wipe the dust off.

Paint in layers, not one heroic coat.

- Egg exterior: blues over the scale pattern, a lighter blue or grey in the recesses so the “shell” reads as shell.
- Egg interior: off-white or pale blue, then a speckle with a dry brush or a toothbrush flick.
- Dragon body: green and teal, darker in the folds, lighter on the snout, belly, and knuckles.
- Horns and wing: gold, then a tiny bit of brown in the grooves so it does not look like a sticker.
- Eyes: leave a highlight. A dead eye kills a cute dragon.

Let each layer dry. If a colour looks cheap, it usually needs another thin coat, not more paint in the brush.

Seal when you are done and the paint is fully dry. Satin is kinder than high gloss on a hatchling.

The part I will not pretend is quick

Mixing and pouring is an hour, plus cure time. Painting this one took far longer than the pour. I keep going until I am happy, and “happy” is a moving target. You will miss a seam. You will get gold on the snout. You will think it is finished, sleep on it, and add three more shadows in the morning.

That is the craft. The mold gets you the shape. You get the dragon.

If you try one, start with a small mold, mix less resin than you think, and paint slower than you want to. The egg will wait.

Dragon Resin Collection | What I have been working on

Works in Progress Resin Dragons

Step into my creative world and you’ll find a colourful menagerie of dragons emerging from resin, each one hand-crafted with love, patience, and a touch of magic. This latest photo captures several pieces from my ongoing collection, all made using silicone molds, layered pigments, mica powders, and alcohol inks.

The star of the image is the large multi-colored dragon hatching egg. Its dramatic gradient shifts from deep ocean blues and teals at the base to fiery magentas, golds, and shimmering metallics at the top. Creating this piece required a careful, multi-stage pour that took considerable time and precision to avoid bubbles and achieve the flowing colour transitions. A detailed baby dragon is already visible, wings spread, eagerly breaking free from its glittering shell.

Beside it sits a charming purple-and-blue baby dragon figurine with bright yellow eyes and silver horns, looking curious and ready for adventure. Smaller dragon eggs in golden tones with silver dragons embossed on the surface, a pink floral geode-style piece, and various blue resin molds and cabochons complete the scene.

None of these pieces are finished yet. They still need final detailing—additional painting to bring out scales and textures, a protective resin top coat, varnish, or high-gloss finish to make the colours truly pop and the surfaces glass-like. The process is as rewarding as the final result, turning raw resin into miniature fantasy worlds.

These dragons represent hours of experimentation with colour blending, layering techniques, and problem-solving when pours don’t go exactly as planned. They’re destined for my website, Thoughtstoyou.com, where I share my handmade resin art, jewellery, and fantasy-inspired creations.

If you love dragons, fantasy, or the satisfying journey of watching art come to life, keep an eye on the site. More finished pieces will be appearing soon, each one unique and full of character.

What do you think—should I name the big hatching dragon? Suggestions welcome!  

 

My Three Wise Dragons Are Almost Complete!

See No Evil • Speak No Evil • Hear No Evil

Hello fellow makers!  If you’ve been following along, you know I’ve been quietly working on a brand-new resin sculpture series: the Three Wise Dragons. These little guys are my playful twist on the classic “see no evil, speak no evil, hear no evil” proverb—except they’re adorable, spiky, and full of personality.

In the photo above you can meet the first two members of the trio: The fiery red-pink dragon is cast in ResinCrete. He’s solid, matte, and has that lovely stone-like weight. He’s my “See No Evil” dragon—paws pressed sweetly over his eyes, looking both mischievous and wise at the same time.   
The vibrant blue dragon is made with clear epoxy resin. He came out beautifully glossy with a deep, jewel-like shine. His expression is more curious and watchful—perfect for the “Speak No Evil” role. 
 
And the best part? The third dragon—Hear No Evil—is still tucked away in his mold right now. He’s being cast in a light, transparent green epoxy that I’m really excited about. Once he’s demolded (hopefully later today!), the whole trio will be together for the first time.

Next steps for all three:  Light sanding   
A few coats of sealer   
Hand-painted details (tiny gold accents on the horns and eyes are already planned)   
Maybe a soft gloss on the eyes to make them pop 
 
I’ll be sharing the full reveal + a step-by-step “how I cast them” post once the green one is out and they’re all finished. These little dragons have been so much fun to make—each one feels like it has its own tiny soul.

Would you love to see a full tutorial on how I make these (mold making, resin choice, demolding tricks, etc.)? Let me know in the comments!  

Happy Creating!

Dragon Disply for Halloween in Okotoks

Dragons, myself being a dragon statue collector, small statues that is, of course I am always attracted to nearly anything actual dragon. You would find that some say people are fascinated by Dragons because the dragons are a really fundamental embodiment of our wishes and dreams, McCaffrey says. How we long for a time when there were mystical dragons that would fight off evil and so much more. I think there are those of us that wish in our fantastical world that we could have a loyal dragon that would stand by our side as our guardian and friend.

Today, dragons are celebrated and revered in Buddhist, Taoist and Confucianism traditions as symbols of strength and enlightenment. The full story of this last statement can be found here. Authored by Emily Zarka, Arizona State University. I would suggest giving it a read!